The grief of God

Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however, Ellen Ross offers a different understanding of the purpose of this imagery and its meaning to the people of the time. Analyzing a wide range of textual and pictorial evidence, the author finds that the bleeding flesh of the wounded Savior manifests divine presence; in the intensified corporeality of the suffering Jesus whose flesh not only condemns, but also nurtures, heals, and feeds, believers meet a trinitarian God of mercy. Ross explores the rhetoric of transformation common to English medieval artistic, literary, and devotional sources. The extravagant depictions of pain and anguish, the author shows, constitute an urgent appeal to respond to